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Writing submissions: Yorkshire writers

crucible

We’ve been notified of another exciting opportunity for Yorkshire based writers. The play submission window at West Yorkshire Playhouse has just closed but as one door closes another opens…

Sheffield Theatres – 4×15

Sheffield Theatres are looking for Yorkshire-based early-career writers for exciting new writing initiative 4×15. Our Joint Artistic Director James started his career at Sheffield Theatres and we worked with them on our first Roundabout season back in 2011. We can’t recommend working with them enough.

Sheffield Theatres has a national reputation for developing exceptional new work and wants to continue supporting local emerging writers, directors, and actors through projects that respond to their main stage productions. They believe these opportunities are vital for early career practitioners to develop connections and confidence in their craft. They are particularly interested in hearing from underrepresented voices.

Overview

4×15 will bring together four early-career writers and two movement directors to develop fifteen-minute plays for the Crucible Studio Theatre.

Ten applicants will be shortlisted to meet with Sheffield Theatres and receive a series of stimuli inspired by the upcoming production of ‘Everybody’s Talking About Jamie’. Shortlisted writers will be asked to produce treatments of their planned scripts from which four will be selected.

The selected four writers will work to develop their plays and see them professionally debuted in the Studio Theatre in early April 2017.

Sheffield Theatres will provide:

  • Dramaturgical support from two directors to mentor you through the development of your work
  • Having your play performed by professional actors in the Studio Theatre
  • Networking opportunities with other writers and industry contacts
  • The opportunity to explore the value of incorporating a Movement Director into the creative process

Timeline/Commitment

This project demands tight turnarounds and you must be able to commit to the schedule as detailed below:

  • You must be available to attend an initial meeting with other shortlisted writers on Wednesday 4th January 2017
  • 13th January – Treatment deadline
  • 16th January – Selection of four writers to continue development
  • 8th February – First draft deadline
  • 14th February – Development day: dramaturgical meetings, performance of ‘Everybody’s Talking about Jamie’ and Talkback
  • 24th February – Second draft deadline (character requirements to be confirmed)
  • 17th March – Final draft deadline
  • You should also be available as discussed with your director during rehearsals from Tuesday 28th March
  • The performances will take place on Wednesday 5th and Thursday 6th April 2017

Remuneration

Each of our four writers will receive a one-off fee of £300 for their work on the productions.

How to apply

Send a copy of your CV, a cover letter explaining your interest in this project and how it will help you to develop your craft, and a sample of your previous writing for the stage.

Applications to be sent by email to g.richmond-scott@sheffieldtheatres.co.uk by Wednesday 21st December at 5pm.

Not based in Yorkshire?

We accept unsolicited scripts year round. All the information about submissions is available here. We look forward to hearing from you.

Broken Biscuits: Reviews Round-up

_k4a0420

After playing for three weeks at co-producers Live Theatre in Newcastle, Tom WellsBROKEN BISCUITS hits the road. We thought we’d do a quick round up of all the brilliant feedback our young rockers have received so far.

“A sweet meditation on the fierce, fragile alliances formed on the cusp of adulthood… incredibly endearing.” ★★★★ The Guardian

“Wonderful, funny and original ★★★★ The i Newspaper

“Funny, confessional and well-crafted… Matthew Robins’ music and Wells’ lyrics feel like Victoria Wood for a new generation.” The Stage

“Quirky, warm and hugely entertaining.” ★★★★ The Chronicle

“It’s funny. It’s engaging, even heart-warming.” British Theatre Guide

“Great atmosphere.” ★★★★ The Reviews Hub

“A funny script and rocking soundtrack… filled with warmth.” Narc Magazine

“A brilliant script… may well be the most uplifting thing you’ll see all year.” ★★★★★ Once Upon a Tyne

“Charming and recognisable… provided laughs along the way in its feel good message about growing up.” North East Theatre Guide

“A new play by Tom Wells is always a welcome event.” The Northern Echo

We’re touring until December visiting all of the following places. Are we coming to you?

25-29 October
The Drum, Theatre Royal Plymouth
01752 267222
theatreroyal.com

01-05 November
Hull Truck Theatre
01482 323638
hulltruck.co.uk

08-12 November
Stephen Joseph Theatre, Scarborough
01723 370541
sjt.uk.com

15-19 November
Crucible Studio, Sheffield Theatres
0114 249 6000
sheffieldtheatres.co.uk

25-26 November
Tobacco Factory Theatres, Bristol
0117 902 0344
tobaccofactorytheatres.com

29 November – 03 December
Birmingham Repertory Theatre
0121 236 4455
birmingham-rep.co.uk

#BrokenBiscuits

Broken Biscuits: The Trailer

It’s one week until BROKEN BISCUITS by Tom Wells opens with our co-producers Live Theatre in Newcastle-upon-Tyne and we’re very excited to give you a glimpse of Megan’s shed where our musical heroes are tuning up.

We hope to see you at one of our tour dates:

05-22 October
Live Theatre, Newcastle
0191 232 1232
live.org.uk

25-29 October
The Drum, Theatre Royal Plymouth
01752 267222
theatreroyal.com

01-05 November
Hull Truck Theatre
01482 323638
hulltruck.co.uk

08-12 November
Stephen Joseph Theatre, Scarborough
01723 370541
sjt.uk.com

15-19 November
Crucible Studio, Sheffield Theatres
0114 249 6000
sheffieldtheatres.co.uk

25-26 November
Tobacco Factory Theatres, Bristol
0117 902 0344
tobaccofactorytheatres.com

29 November – 03 December
Birmingham Repertory Theatre
0121 236 4455
birmingham-rep.co.uk

The brilliant trailer was created by Rory Gibson. You can check out his work here.

#BrokenBiscuits

COME TO WHERE I’M FROM London


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We’re excited to announce the latest leg of our COME TO WHERE I’M FROM series.

Since 2010, more than 100 writers from across the UK have returned to their home towns to pen plays about the places that shaped them. At theatres from Bristol to Belfast, Cardiff to Coventry and Nottingham to Newcastle, these plays have been performed by the playwrights themselves, coming home to tell their tale.

But COME TO WHERE I’M FROM has never been done in London, until now…

In June and July we’re partnering with Tamasha on a series of London COME TO WHERE I’M FROM events across the city which will see some well known names alongside some of the most exciting new voices from the Tamasha Developing Artists programme.

We’ve got a series of events across the Capital with writers from North, South, East and West performing in their local theatres over the course of six summer days in June and July.

Here are the details…

NORTH-WEST: Tricycle Theatre
Monday 27 June
With Karla Williams, Zia Ahmed, Mediah Ahmed, Ché Walker

SOUTH-WEST: Clapham Omnibus
Tuesday 28 June
With Elena Procopiu, Amman Singh Brar, Kathryn Golding, Alexandra Wood

WEST: The Gate
Wednesday 29 June
With Divya Sachdeva, Sally Woodcock, Satinder Chohan

EAST: The Yard Theatre
Thursday 30 June
With Lucy Sheen, Afsana Begum, Lizzy Dijeh, In-Sook Chappell, Arinze Kene

SOUTH-EAST: Ovalhouse
Monday 04 July
With Sandra Townsend, Vinay Patel, Miran Hadzic, Morgan Lloyd Malcolm, Adam Brace

NORTH: Park Theatre
Wednesday 06 July
With Mahad Ali, Isley Lynn, Cheryl Walker, Stephen Jeffreys, Monsay Whitney

In advance of our London series we’re launching the COME TO WHERE I’M FROM app so you can listen to 100 short plays for free wherever you are!

Simulator Screen Shot 17 May 2016, 12.27.58

The app features audio recordings of COME TO WHERE I’M FROM plays read by the playwrights themselves. It’s available for free from the App Store – just search COME TO WHERE I’M FROM or click this link.

Search the map for plays by location or find your favourite playwright in the plays index. You’ll discover a huge range of playwrights from Olivier Award winners to first timers reading tales of their home towns stretching from Edinburgh to Ipswich to the Isle of Wight. A theatrical tapestry of the UK, woven by writers asking if home is really where the heart is.

Let us know what you make of the app by tweeting us using #CTWIF. Happy listening.

COME TO WHERE I’M FROM is supported by Garrick Charitable Trust and Royal Victoria Hall Foundation.

Introducing…our Trainee Artistic Director

We’re thrilled to welcome Sean Linnen back into the PP fold this week, as our Trainee Artistic Director.

In December last year, Sean received funding from Arts Council England to pilot a new way of training directors. In partnership with Sheffield Theatres and Paines Plough, Sean is spending a year across both organisations shadowing and participating in the work and demands of being an artistic director.

At the moment, there’s no formal way of training artistic directors for theatres and theatre companies. Many are handed the keys on the first day and run with it, despite the skillset of an Artistic Director being very different from a director of plays in a rehearsal room.

The idea is that after spending a year in two organisations of different sizes and different remits, working on everything from business plans and budgets to marketing campaigns and fundraising strategies, a director might be better equipped to go on to run a company of their own or indeed an already existing theatre organisation.

In a time where public funding is becoming more and more scarce, the role of an artistic director is changing; they’re needed to be increasingly involved in every aspect of running theatre organisations, not just the artistic side.

It’s really exciting for us to be working with the Arts Council, Sheffield Theatres and Sean on the pilot in the hope that a template of training like this might become more commonplace across the industry. He’ll be writing regular blogs so you can keep up with the pilot and everything he’s up to here.

Paines Plough turns 40

In 2014, we’re 40 years old. Happy birthday to us. Life begins at 40, right?

Right. So we’re planning our biggest, boldest, most far-reaching programme of work ever, with more plays touring to more places than even we thought possible.

We’ll be announcing the whole shebang in January, with attendant trumpet fanfare. But in the meantime, there’s a little taster of what to expect below, and some words from illustrious PP alumni.

Where it began… In 1974, while they were all working at The Dukes Theatre, Lancaster, actor Chris Crooks asked playwright David Pownall to write a play for him. John Adams agreed to direct it.

Christened over pints of Paines bitter in The Plough pub Bolnhurst, Paines Plough was registered as company no. 1165130 on 1st April 1974.The company opened Pownall’s play – Crates On Barrels – at 6pm on Wednesday 11 September 1975 at the Lyceum Studio, Edinburgh.

128 productions, eight Artistic Directorships, 42 awards and 40 years later, Paines Plough is now the national theatre of new plays – still doing what it has always done, touring the best new plays to every corner of the UK.

“Back in 1982, after seven years on the road, we passed Paines Plough into other hands. Since then we have watched it grow, change and develop into its present strength and reputation.  We feel part of the present company, glad that our aims have lived so long, and especially glad the company is still a stage for new plays.”
John Adams and David Pownall, founders

Paines Plough old skool stylee

James and George:

“It is a true honour to lead Paines Plough in to its fifth decade of touring new plays.

“Talking to our illustrious alumni in the lead up to our 40th anniversary year, it has become clear that Paines Plough is less a company than a movement; generation after generation of the UK’s top directors and playwrights have assembled in our shabby Aldwych offices to conceive some of the most important modern plays before setting off to share them with audiences in every corner of the country.

“That’s exactly what we’ve done since we took over in 2010 – and we hope our 40th anniversary year programme will encapsulate all that is essential about Paines Plough’s contribution to British cultural life.”

With lots more to be announced, our 40th anniversary year will include new plays from playwrights spanning Olivier Award-winner Mike Bartlett and debutant Sam Burns, touring the length and breadth of the country.

The centrepiece of Programme 2014 will be the unveiling of Roundabout, our portable in-the-round auditorium.

Our portable pop-up Roundabout Auditorium

A prototype Roundabout was co-produced with Sheffield Theatres in 2011 and played at Shoreditch Town Hall in 2012. Armed with the experience of these two runs, and the generous support of the Andrew Lloyd Webber Foundation, Paul Hamlyn Foundation, J Paul Getty Jr Charitable Trust, John Ellerman Foundation and Garfield Weston Foundation, the brand new pop-up theatre will form an integral part of future Paines Plough programmes.

“It’s hard to imagine that Paines Plough is 40 years old.  Its energy and verve remain so youthful, dynamic and daring.  Its work has become a crucial component of the new writing landscape in the UK and long may it thrive.”
Daniel Evans, Artistic Director of Sheffield Theatres

We’ll be resident at the NT Shed for a series of PP Platforms at the start of the 40th anniversary year. Paines Plough alumni – writers, actors and directors – will share their memories and celebrate the crucial part the company has played in their careers to date.

“In 2005 Paines Plough made me their writer in residence and I can honestly say it was the single most important event in my career as a writer. Being a playwright moved from being a dream into being a reality as I got to spend time with people I’d only heard about, people whose books I read and plays I’d seen. I was given the chance to write what I wanted in a place that cared about writing.”
Dennis Kelly, playwright.

On 30 January, in conjunction with the Royal Exchange Manchester and ITC, Paines Plough will host a Small Scale Touring Symposium, inviting leading practitioners, journalists and companies across the UK to share in talks examining current and new aspects of touring theatre.

“For me personally it was a paradigm shift. To discover, encourage and direct the work of some extraordinary writers, to begin to understand audiences, to learn to be part of the landscape of Britain was a privilege and enormous fun. It opened the doors for all my ensuing adventures and for many others too and will always remain thrillingly alive and inspiring in my heart.”
Vicky Featherstone, Artistic Director Royal Court Theatre (Artistic Director of Paines Plough 1997 – 2004)

That’s all you’re getting for now, but stay tuned. Programme 2014 is going to be huuuge.

New York, New York

GOOD WITH PEOPLE closed in New York last week after a sell-out run as part of 59 East 59 Theaters’ annual Brits Off Broadway festival which brings together an eclectic mix of (mainly new) work and is one of the only platforms in the city for smaller-scale British productions (alongside the Public Theater’s Under The Radar festival and Carol Tambor’s annual Edinburgh to NYC transfer award).

GOOD WITH PEOPLE is the third show we have presented at Brits Off Broadway since the festival’s inception nearly ten years ago, following Gregory Burke’s THE STRAITS in 2004 and Dennis Kelly’s AFTER THE END in 2006.

Highlights of this year’s festival programme include Rob Drummond’s BULLET CATCH and BULL by PP Associate Playwright Mike Bartlett, which is directed by ONE DAY WHEN WE WERE YOUNG director Clare Lizzimore and produced by our friends at Sheffield Theatres.

In fact, PP has its prints firmly smudged all over New York at the moment.

Ex-Associate Director John Tiffany has two shows running on Broadway, a one-man MACBETH starring Alan Cumming and the critically acclaimed ONCE, which is authored by one-time PP Associate Playwright Enda Walsh and will soon star our brilliant 2012 Research Intern Jo Christie (who James and George first worked with on the 2005 Old Vic New Voices 24 Hour Plays). Meanwhile Dennis Kelly’s version of Matilda has just opened to triumphant reviews.

Needless to say, it’s a fantastic city to present theatre in, and in which to spend a few days. So while most of team PP were opening JUMPERS FOR GOALPOSTS in Watford, it was left to Joint Artistic George along with creative team Ben Stones and Tim Deiling to forage the city on our behalf in search of the finest sights, theatre and burgers the Big Apple has to offer.

Their favourite show by far was Amy Herzog’s BELLEVILLE at New York Theatre Workshop. We first met Amy at the Orchard Project in Hunter, up-state New York. We were out there with Laurence Wilson and Joel Horwood, developing work. Amy was there working on several plays, including 4,000 Miles which – after a sell-out run on Broadway – has just opened in the UK at the Ustinov in Bath. Directed by Artistic Director designate of Northampton Royal and Derngate Theatres James Dacre, the British production transfers to West London’s Print Room next month. Without doubt Amy is a major new voice in American playwriting and, along with writers like Annie Baker and Katori Hall, now finally has a well-deserved UK premiere. Trust us when we say you don’t want to miss it.

Sadly we didn’t manage to see Annie’s play THE FLICK which, alongside BELLEVILLE, was the talk of the town.

Meanwhile, ‘Best Burger’ goes to (drumroll) the Burger Joint at Le Parker Meridian hotel. Thanks to Stacey Sampson (@OurStace) for the recommendation. It’s a low-fi, in-and-out little hideaway, nestled secretly (but for an illuminated neon picture of a burger) behind a plush red curtain in the marble opulence of the hotel foyer. Simple ingredients executed to perfection for a great price in an great atmosphere, served with plastic beakers of Sam Adams. Surely that’s what a New York burger is all about.

We also tried: the 5 Napkin burger thanks to Louise Miles-Crust (@loumilcru), whose twist on the classic cheese-burger was to include a smothering of aioli; the classic burger at PJ Clarkes, which was a pale version of what it once was; Corner Bistro’s cheese burger which hit the spot in a hurry; Shake Shack’s special which ran in a close second; and finally the burger at the Standard Hotel Bar and Grill, which designer Ben gave a big five stars to but which we ultimately marked down on price.

The Highline was the tourist attraction of choice amongst the team. A rail-road that has been converted in to a city park that runs about 20 blocks on the lower west side it offers an unparalleled perspective on the city and a great place to catch respite from the bustle four stories below.

And bar-of-the-week, for entertainment value alone, has to be Marie’s Crisis in the West Village, where the entire bar gather around a piano to sing show-tunes together late in to the night.

I want to wake up in a city,

That doesn’t sleep,

To find I’m king of the hill,

Head of the list,

Cream of the crop

At the top of the heap.

New York, New York.

[GOOD WITH PEOPLE featured as part of Brits Off Broadway with the kind and generous support of Creative Scotland and Made In Scotland.]

LUNGS plays the planet

This Sunday we open our next production of Programme 2013 and it is visiting every living room, bedroom, train, pavement, hotel, gym, laptop, iPad, wireless and car in the UK.

In fact, anyone anywhere in the world with an internet connection (2.4 billion people, or 34.3% of the global population, at the last count) can experience the show.

And it’s on for one night only.

Thanks to BBC Radio 3, our co-production with Sheffield Theatres of Duncan Macmillan’s LUNGS will be broadcast at 20:30 GMT on Sunday 24th March on 90 – 93 FM, online via the BBC Radio 3 website, on the iPlayer Radio App and on DAB digital radio.

As part of their growing collection of stage transfers, BBC Radio 3 recorded Richard Wilson’s production of the play with the original cast Alistair Cope and Kate O’Flynn only a few weeks ago. Thanks to some nifty editing by Richard and Producer Toby Swift, the production is now ready for airing and joins an illustrious canon of stage plays given radio airplay.

So far the production has played in our Roundabout auditorium in both Sheffield and London where a combined total of 2,703 people have seen it. The stage production will soon embark on a national tour as part of our ongoing plans for Roundabout. But in the meantime the studio recording will be available to listen to – for free – on Sunday night and thereafter on iPlayer catch up.

Enjoy the show, planet earth.

PP wins at the Offies

Last Sunday, team PP were thrilled to accept two Offie Awards from offwestend.com.

LUNGS by Duncan Macmillan, which we co-produced with Sheffield Theatres, won the Best New Play Award and our Artistic Directors James and George won Best Artistic Director(s). Our brilliant ROUNDABOUT cast were short-listed for Best Ensemble.

James and George said:

“We’re greatly honoured to receive this award. Our Programme 2012 saw 11 productions touring to 44 places nationwide. We produced the work of 33 playwrights and worked with 30 Actors and 45 creatives and stage managers. We want to thank each and every brilliant one of them along with our 22 co-producing partners and 32 host theatres. Most of all we want to thank the amazing Team PP whose immense skill and endless passion make it all happen.”

To find out more about OffWestEnd and the Offie Awards, visit www.offwestend.com.

LUNGS to broadcast on BBC Radio 3

On Sunday 24th March at 20:30 GMT our co-production with Sheffield Theatres of Duncan Macmillan’s LUNGS will transfer to BBC Radio 3.

The station will broadcast a studio recording of Richard Wilson’s production, starring original cast Alistair Cope and Kate O’Flynn, first seen at Sheffield Theatres in our Roundabout Auditorium in 2011.

Last autumn LUNGS played alongside ONE DAY WHEN WE WERE YOUNG by Nick Payne and THE SOUND OF HEAVY RAIN by Penelope Skinner in the prototype Roundabout Auditorium which we popped up in Shoreditch Town Hall.

Critics raved and audiences swooned at Duncan’s heart-breaking story, Richard’s delicate production and Alistair and Kate’s virtuosic performances.

“Subtle, intelligent environment drama that quietly socks you in the guts.” ★★★★ Time Out

“The most beautiful, quietly shattering play of the year.” ★★★★★ The Sunday Express

Last Sunday, LUNGS won the Offie Award for Best New Play after being shortlisted in the same category at last year’s Theatre Awards UK.

Now, thanks to BBC Radio 3, we’re bringing this breath-taking play direct to your living room.

Make a date now for the broadcast or set a reminder to listen again on catch-up.

Listen live here.