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Roundabout: Closed-Captioning

Roundabout audience Rich Lakos

We’re very pleased to be partnering with Stagetext to bring closed-caption performances to Roundabout this summer. We’ll be launching this at our Roundabout previews at Hackney ShowroomLOVE, LIES AND TAXIDERMY on Sunday 24 July at 2pm will be closed-captioned. Booking info is all here.

We are also offering 5 complimentary tickets for this performance if you wish to make use of the service. Find all the info here.

Here’s what Stagetext say about closed-captioning:

Theatre captions are similar to television subtitles – the actors’ words appear on screens at the same time as they are spoken or sung. Captions also include additional information such as speaker names, sound effects and offstage noises.

If you, or anyone you know, would like to make use of this service please do get in touch as we’re eager to take on board your feedback.

We have a week of closed-caption performances when we’re at Summerhall for Edinburgh Festival Fringe. You can download a list of all the captioned performances at this year’s Fringe here.

Additional access information, including relaxed performances and BSL interpreted performances, for Edinburgh Festival Fringe can be found here.

We look forward to welcoming you to Roundabout!

#RoundaboutPP

Roundabout Rehersal Room: An extensive range of dungarees

As we gear up for previews (TONIGHT, AH!) we thought we’d take a look back on our last day in the rehearsal room before our tech rehearsals.

Growth by Luke Norris rehearsals, Paines Plough- -®HelenMurray-299

Thinking, planning, rehearsing (cred. Helen Murray)

It’s getting more populous in here as we get closer to putting the plays in the Roundabout itself. As well as having the writers working with us in the room, we’ve had movement workshops with Kate Sagovsky (I couldn’t resist joining in), Elspeth, our dialect coach, helping the actors with their Merthyr accent and also their Ron-Burgundy-from-Anchorman, and an extensive range of dungarees on offer from Kat, the costume designer. We’ve also been working with a film crew to create trailers for the three shows which I’m really excited about, so look out for those.

Growth by Luke Norris rehearsals, Paines Plough- -®HelenMurray-266

Caitlin thinks about tech week… (cred. Helen Murray)

Dom, our Sound Designer, comes bearing gifts of a beautiful indie soundtrack for LOVE, LIES AND TAXIDERMY and high-octane sound effects for I GOT SUPERPOWERS FOR MY BIRTHDAY which range from gross to hilarious, some of which make the PP team in the office next door to the rehearsal room jump a bit (sorry guys). Prema, our Lighting Designer, gave me a sneak peak at the visual simulation of Roundabout that she’s been using to create the lighting design, because we are living in the future.

Basically, if you picture the Avengers assembling, walking in slow motion with big explosions in the background, that’s the creative team behind these shows right now. Boom.

Growth by Luke Norris rehearsals, Paines Plough- -®HelenMurray-208

“So no one wants to be Hawk-Eye?” (cred. Helen Murray)

See you next time, when we’ll be in the Roundabout itself in Hackney!

Anna.

We’re recruiting for Roundabout in Edinburgh

Roundabout audience Rich Lakos

WANTED: Enthusiastic and motivated people to join Team PP in Edinburgh.

Listen up. This August we’re super pleased to be returning to the Edinburgh Festival Fringe with ROUNDABOUT. From 5 – 28 August, ROUNDABOUT will pop up in the courtyard of Edinburgh’s Summerhall and house a season of extraordinary work all performed in a thrilling 360 degree setting.

WHO ARE WE LOOKING FOR?

We’re seeking people who are engaged, open and fans of new writing to work across two teams for the duration of the festival. These teams are:

- Visitor Services
- Street Team

WHAT WILL YOU NEED TO DO?

Street Team

– Flyering and postering around Edinburgh (come rain or shine).
– Talking to the public about the shows.
– Sticking up and stapling reviews.
– Being an enthusiastic ambassador for Roundabout and the shows.

Visitor Services

– Welcoming audience members into Roundabout.
– Taking tickets and seating audience members.
– Managing latecomers.
– Troubleshooting and being the point of contact in the event of an evacuation.

HOW MUCH WILL YOU BE PAID?

You will be paid an hourly rate depending on your age:

– £6 per hour for 18- 20 year olds.
– £7 per hour for 20- 25 year olds.
– £7.20 per hour for 25 and over.

WHAT ARE THE BENEFITS?

– We pay above minimum wage.
– Training from Paines Plough’s and Summerhall’s dedicated and experienced Fringe team to perform your role to the best of your ability.
– A Summerhall Pass, which permits the holder free entry to all shows in the Summerhall programme, provided they’re not sold out. This gives access to over 120 shows. Pass holders also receive discounts at the Summerhall cafe, restaurant, concessions and bars. As usual the Summerhall programme is excellent. You can check it out here. All that for free.
– Free playtexts for all of the Paines Plough Roundabout plays.
– An end of run party with us so you can celebrate your achievements together before finishing for the season.

WHAT ARE THE ROUNDABOUT SHOWS?

Paines Plough, Sherman Cymru & Theatr Clywd present
LOVE, LIES AND TAXIDERMY by Alan Harris

Paines Plough present
GROWTH by Luke Norris

Paines Plough & Half Moon present
I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas

Paines Plough and Pentabus present
EVERY BRILLIANT THING by Duncan Macmillan with Jonny Donahoe

Prime Cut productions presents
SCORCH by Stacey Gregg

Walrus presents
LEMONS LEMONS LEMONS LEMONS LEMONS by Sam Steiner

Jonny & the Baptists
EAT THE POOR

Katie Bonna and Paul Jellis in association with SOHO Theatre present
ALL THE THINGS I LIED ABOUT by Katie Bonna

Ghost Quartet presents
GHOST QUARTET

Fly By Night Productions presents
DES CLARKE’S ALL STAR COMEDY IN AID OF STV CHILDREN’S APPEAL

EARLIER / LATER

A series of early morning and late night one-off shows and events. Coffee and croissants with readings, talks, workshops, debates, insights and special guests. Get your fix of fresh ideas, brave new work and rip-roaring performances.

HOW DO YOU APPLY?

Send a cover letter, CV explaining your relevant experience, and your availability during the festival to office@painesplough.com with the subject ‘EDINBURGH FESTIVAL TEAM/[STREET TEAM or VISITOR SERVICES]’. You are more than welcome to apply for both teams in one application, in which case, please use the subject line ‘EDINBURGH FESTIVAL TEAM/BOTH’.

Although we would prefer team members to be around for the whole festival season we are still happy to accept applications from those with a limited availability.

Deadline for applications: Monday 13 June, 12pm

Shortlisted candidates will be invited to our recruitment day in London Thursday 16 June. or in exceptional cases be interviewed by Skype or phone if they cannot attend the recruitment day.

All staff are required to attend one of our training days in either London or Edinburgh. This will be a key opportunity to meet fellow staff and get to know our exciting venue. The training dates are as follows:

- Hackney Showroom, London – Sunday 17th July
- Summerhall, Edinburgh – Friday 29th July

Please note you must be over 18 to apply for this position.

To access the full job description visit the ‘Get Involved’ section on our website.

We look forward to hearing from you!

Come To Where I’m From: Edinburgh

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We’ve got four of Edinburgh’s finest for you on the bill for COME TO WHERE I’M FROM: EDINBURGH.

Mikey Burnett, Rob Drummond, Jules Horne and Kieran Hurley take to the stage at Roundabout @ Summerhall on Wednesday 12 August at 10am to perform themselves – for the very first time – their own short plays about the place they call home.

They are the latest of more than 100 playwrights  from across the UK to take part in our COME TO WHERE I’M FROM project which asks playwrights to write mini-plays about their home towns – then perform those plays themselves.

Wednesday’s very special one-off Edinburgh event is part of our EARLIER series at Roundabout. Bring a coffee and a croissant and start your day with some of Scotland’s finest scribes taking you back home.

Mikey Burnett is a 30 year old writer from Edinburgh. He has previously been on an attachment with The Traverse Theatre as part of ‘The Traverse Fifty’. His new play CAPITAL CONVERSE is scheduled for production in November.

Rob Drummond is a playwright, performer and director. He has worked with the National Theatre of Scotland, the Traverse, the Arches, the Tron, the Citizens and the National Theatre amongst others. Rob’s wide ranging work includes ROB DRUMMOND: WRESTLING, for which he trained as a professional wrestler, BULLET CATCH, for which he trained as a magician and QUIZ SHOW, which won a CATS award for best new play in 2013.

Jules Horne is from the Borders, and writes for stage and radio. She has won two Scotsman Fringe Firsts for her plays for Nutshell Theatre, ALLOTMENT (2011) and THREAD (2012). Other stage work includes GORGEOUS AVATAR for the Traverse Theatre, THE WIFE OF USHER’S WELL for Quondam Theatre, and SCAPE for the MA in Classical and Contemporary Text at the Royal Conservatoire of Scotland.

Kieran Hurley is an award winning playwright and theatre maker. His plays include GRIT: THE MARTYN BENNETT STORY (Pachamama Productions / Tramway / Mull), CHALK FARM (Oran Mor), BEATS (Arches, Traverse, Bush, Soho and UK Tour), HITCH (The Arches, Forest Fringe, UK and international tour).

COME TO WHERE I’M FROM: EDINBURGH
Wednesday 12 August, 10:00 (40 mins)
Roundabout @ Summerhall
Buy tickets here

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