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Roundabout 2017

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Roundabout in Stoke-on-Trent 2015.

We’re excited to announce our rep of three brand new plays for Roundabout 2017. Roundabout will pop-up outside Theatr Clwyd in June and July before embarking on a UK tour to Salford, Poole, Margate, Kendal, Stoke-on-Trent, Darlington, Lincoln and Luton.

James and George had this to say:

“Roundabout will again tour the UK with three world premieres in partnership with Theatr Clwyd and theOrange Tree. Elinor Cook’s OUT OF LOVE is a very funny, topical, heart-tugging exploration of female friendship spanning 30 years. We’re honoured to be premiering another of Elinor’s plays following TEN WEEKS in Programme 2016. Elinor was on attachment to Paines Plough through The Big Room in 2011 and has since won the George Devine Award and become one of the most vital, distinctive new voices in theatre. Roundabout will also host the World Premiere of Brad Birch’s new play BLACK MOUNTAIN, a nerve-jangling psychological thriller showcasing the style and comic brio that marks Brad out in the vanguard of Welsh playwrights. HOW TO BE A KID is a vivid new play for young people by Manchester’s Sarah McDonald Hughes which tackles some big subjects with extraordinary lightness of touch and a lot of joyous dancing to Taylor Swift.”

Read all about the new plays below.

A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
BLACK MOUNTAIN
By Brad Birch

Black Mountain Web Treated

Rebecca and Paul are running away. Away from memories and mistakes.

They’re trying to save their relationship. They need time and space. An isolated house in the country is the perfect place to work things out. They set themselves rules: they have to be honest, they have to listen and they have to be fair.

But you can’t run forever. Especially when you’re being followed.

BLACK MOUNTAIN is a tense psychological thriller about betrayal and forgiveness by winner of the Harold Pinter Commission Brad Birch.

BLACK MOUNTAIN will tour in Roundabout in September and October.

 

A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
OUT OF LOVE

By Elinor Cook

Better Than She Should Be Web Treated

Lorna and Grace do everything together. They share crisps, cigarettes and crushes. That’s what happens when you’re best friends forever.

But when Lorna gets a place at University, and Grace gets pregnant, they suddenly find themselves in starkly different worlds. Can anything bridge the gap between them?

A tale of friendship, love and rivalry over thirty years from award-winning playwright Elinor Cook.

‘Intelligent and savagely funny’ The Times on Elinor Cook

OUT OF LOVE will tour in Roundabout in September and October.

 

A Paines Plough, Theatr Clwyd and Orange Tree Theatre production
HOW TO BE A KID
By Sarah McDonald-Hughes

How To Be A Kid Web Treated

Molly cooks. Molly does the dishes. Molly gets her little brother Joe ready for school. Molly is only 12, but she doesn’t feel much like a kid anymore.

Now Molly’s Mum is feeling better, maybe things will get back to normal. Can you help Molly learn how to be a kid again?

Join Molly, Joe and her Nan for a larger than life story of family, friends and fitting in.

Warning: Contains dancing, chocolate cake and an epic car chase.

For ages 7+.

HOW TO BE A KID will tour in Roundabout in September and October.

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That’s Roundabout 2017. Let us know what you think on Twitter or Facebook or even Instagram. We’re up for anything.

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Roundabout @ POP OUT Festival, Lincoln

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Roundabout outside Lincoln Performing Arts Centre

Another week, another Roundabout location. This week we’re so proud to be part of the first POP OUT Festival produced by Lincoln Performing Arts Centre. We’re on the lawn outside LPAC on the University of Lincoln campus from Thursday 29 September to Sunday 2 October. You can find us here.

As usual we’ve got a jam packed schedule with theatre, music, comedy, Shakespeare and more. We’re even hooking up with our Edinburgh friends Walrus who are touring PP Playwright Fellow Sam Steiner’s LEMONS LEMONS LEMONS LEMONS LEMONS. Here’s the full schedule.

Thu 17:00 Lincoln Arts Mash Up Meeting
Thu 18:30 GROWTH
Thu 20:30 TOM WEBB: Mega Games
Fri 08:00 Culture Connects / Culture Café Breakfast Meeting
Fri 10:00 LIL PACS: Dance with Beth
Fri 11:30 SCRIPT THIS
Fri 13:00 HAPPY TOGETHER
Fri 14:30 LOVE, LIES & TAXIDERMY
Fri 19:00 MUCH ADO ABOUT NOTHING
Fri 21:00 ROB AUTON: THE SLEEP SHOW
Sat 10:30 I GOT SUPERPOWERS FOR MY BIRTHDAY
Sat 11:45 ENCORE: Sing! From Broadway to Brayford
Sat 13:00 MUCH ADO ABOUT NOTHING
Sat 15:00 LOVE, LIES & TAXIDERMY
Sat 17:00 LEMONS LEMONS LEMONS LEMONS LEMONS
Sat 18:30 GROWTH
Sat 21:00 THE RUBY DOLLS
Sun 10:30 I GOT SUPERPOWERS FOR MY BIRTHDAY
Sun 11:30 BABY SENSORY CLASS
Sun 15:00 O DUO
Sun 17:00 GROWTH
Sun 19:00 MUCH ADO ABOUT NOTHING
Sun 21:00 LOVE, LIES & TAXIDERMY

You can book for all events through LPAC’s website here. Or call the Box Office on 01522 837600. Or just wander over to Roundabout – LPAC’s Box Office is right next to us!

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Did you know?

The programme in Lincoln includes Much Ado About Nothing by a certain William Shakespeare. This is the first time The Bard’s words will fill Roundabout. Catch the performance by Lincoln Stage Company on Friday, Saturday or Sunday.

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Meet the WITH A LITTLE BIT OF LUCK Cast: Gabriel Benn

Not ones to let a Bank Holiday get in the way of a blog, we grabbed WITH A LITTLE BIT OF LUCK‘s Gabriel Benn to talk touring, musical influences and uh, Beyoncé and Jay-Z… 

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Is this the first theatre production that you’ve toured with?

Yeah, it is. It’s a whole new experience. The tour dates are all first time visits for a lot of the cast and it’s great, being in all these different places and having the chance for the cast to explore and have good walks around. I think Lincoln was probably the most unexpected surprise. It was such a beautiful city; I managed to have a good wander down the old cobbled streets to explore the old town and the cathedral.

Can you tell us a little bit about what made you get in to music and DJ-ing?

Good question! I remember Mark Ronson being a big inspiration when I was about 14 because he was DJ-ing and making music and looking really cool. He’d just released Ooh Wee, if you remember that? It was around that time and I liked what he was doing a lot.

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My dad gave me some decks that Christmas and I started making music. My friends and I got into producing electronic mostly, and then I started travelling and producing to expand my musical vocabulary. I started in Ghana at first, being a very rhythmical place as far as music goes, so that helped me expand my abilities. Then Columbia afterwards which had an amazing variety of rhythm and it just made me push the musical boundaries that I’d set myself. It allowed me to grow, and if you learn more you can do more.

Have you brought those influences into the way that you work with Martyna and Seroca during WITH A LITTLE BIT OF LUCK?

I think so, because being influenced by other world rhythms has allowed me, in a sense, to infuse those rhythms into the performance and that has helped me to adapt to the strong rhythms of Garage.

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Were you into Garage when you were younger or has being part of WITH A LITTLE BIT OF LUCK expanded your knowledge of it?

It has expanded my knowledge hugely – I came in late because I’m 25 so I was only 11 when people like our leading actor, Seroca, were going out to the raves. But five years later I started DJ-ing all kinds of electronic and picked out quite a lot of Garage from the back catalogue of music, so I was always playing bits and bobs of Garage and really loved it. This show helped me understand why Garage meant so much to so many people.

Finally, what can or should an audience expect?

Well, audiences so far have loved the music which has been nice. There’s been a lot of laughter at the pop culture references from 2001 like Starbucks and E4 which had just launched. It’s been great because it makes people reflect on things that are now such a strong part of our lives – even things like Beyoncé and Jay-Z’s relationship! – and that’s been really fun. The musical elements of the show have really been a success because people have got up and danced and sang along -they’re visibly happy at hearing some of their favourite songs which is great.