Monthly archives:

Where we are this week

Here’s a quick update on where our A PLAY, A PIE AND A PINT shows are this week:

FLY ME TO THE MOON by Marie Jones is at Bewley’s Cafe Theatre in Dublin. Click here for information and booking.

IN THE PIPELINE by Gary Owen is at the Belgrade Theatre in Coventry. Click here for information and booking.

THE UNCERTAINTY FILES by Linda McLean is at the Traverse Theatre in Edinburgh. Click here for information and booking.

CALAIS by April De Angelis is at the Live Theatre in Newcastle. Click here for information and booking.

GOOD WITH PEOPLE by David Harrower is on a break before opening at Live Theatre in Newcastle next week. Click here to read the outstanding ****review in The Guardian.

We’ve been getting fantastic feedback from audiences all over the UK and Ireland for our A PLAY, A PIE AND A PINT plays. Here are a few comments for THE UNCERTAINTY FILES by Linda McLean at the Live Theatre in Newcastle:

“A really thought provoking and engaging piece. Actors really inhabited the myriad characters in such a short time – very telling business with minimal props. Liked the “interview” style and very natural responses highly enjoyable.”  Karen, Lanchester

“Really interesting production. Would like to see it again. Liked the non usual.” Hazel, Newcastle

“I always love coming to the Live & I’m pleased you have new work from Paines Plough coming in – good to see excellent new writing venues joining together – will be keeping an eye out for future work (as always)” Jenny, Newcastle

We’ve also been interviewing the writers of all of our PPP plays. Here are some answers from April De Angelis, writer of CALAIS:

Is 45 minutes and max 3 actors easier or harder than 2 acts and a cast of ten? 

A one act play is definitely less slog than a two acter!

Should every play come with a complimentary pie and pint?

If every play in the universe came with a pie and a pint we’d get bored of the novelty and fatter as a constituency.

What is more scary, contemplating a blank sheet of paper, contemplating a deadline or contemplating the audience at the first performance?

The audience at a first night is the scariest. You can always tear up your writing at the end of the day..

In three words how do you feel about about the critics?

Critiscism ain’t art.

Do you agree with Thomas Edison that “Genius is one per cent inspiration, ninety-nine per cent perspiration?”

Yes, mind you it’s an elusive 1%

Linda McLean’s THE UNCERTAINTY FILES opened to rave reviews this week at Oran Mor.

‎****The Scotsman for Linda McLean’s THE UNCERTAINTY FILES:

Charlotte Gwinner’s production has a severe and brilliant quiet choreography, controlled down to the minutest gesture; and the performances are riveting, mature, eloquent, beautiful, and not only real, but true.

Whilst the company of Marie Jones’ FLY ME TO THE MOON pioneered the first leg of the tour at Live Theatre Newcastle. I went up there to see the first show and brought back a little souvenir for everyone in the office:

We're loving Newcastle Live A PLAY, A PIE AND A PINT Beer Mat

Judging from the show report received today from Stage Manager, Kara Jackson, the Newcastle audience are enjoying it so much that the running time has increased by two minutes due to laughter.

Back at PP HQ LOVE, LOVE, LOVE culminates its second week of rehearsals.  They have it up on its feet after the detailed table work last week and rehearsal props are flying into the room.  The character of Sandra seems to enjoy quite a few cigarettes!

We also had all three of the Creative Team in today to watch rehearsals.  Hartley  (Lighting Designer), recovered from Edinburgh where he runs C venues, and Lucy Osborne (Designer), currently opening THE ALIENS at the Bush Theatre, have a good catch up on the sofa that is on for rehearsal furniture.

Lucy Osborne and Hartkey T A Kemp deep in thought - or are they on facebook?

We, in the office, are very much looking forward to catching a run through next week and we’ll be able to show you some photos soon as Graham Michael is coming in on Friday to take some rehearsal shots.

Wishing you all a lovely weekend – we’re off to see Bryony Lavery’s BEAUTIFUL BURNOUT on Sunday at the Barbican.

Linda McLean gives certain answers to her writing of THE UNCERTAINTY FILES

Is 45 minutes and max 3 actors easier or harder than 2 acts and a cast of ten?

 Just different.  Something i’ve only become aware of in the last couple of years is that limitations are strangely freeing.  If I set my mind the puzzle of what it can’t do, it invariably comes up with some creative way of beating me!  So, for example, with the Uncertainty Files, I made a piece for 3 actors playing 14 characters!

 Should every play come with a complimentary pie and pint?

 I’m keen on variation so I’d like to see a play a pasty and a pint (the south country tour); or a play a pasta and pint (the italian tour); or a play, a pastis and pint (the french tour where we all get maroculous).

 What is more scary, contemplating a blank sheet of paper, contemplating a deadline or contemplating the audience at the first performance?

All three are a challenge in their own way: the blank sheet of paper (or screen) always demands something new, it won’t tolerate same old same old. The deadline, especially when the show is already programmed is at once scary and exciting but with an inflexibility that reminds me of those terrible moments at school when you knew you were going to get the strap and there was nothing you could do except hold out your hand and wince. And the audience because no matter how much confidence i have in a piece I spend that first performance quivering.

In three words how do you feel about about the critics?

Medium rare, please.

Do you agree with Thomas Edison that “Genius is one per cent inspiration, ninety-nine per cent perspiration” ?

I think he was talking about lightbulbs!  I’m more of a fan of Vilfredo Pareto’s 80:20 principle.

Lesley Hart learns her lines

Ever wonder how actors learn their lines?

Lesley Hart, who is currently in Glasgow rehearsing for THE UNCERTAINTY FILES by Linda McLean, explains all in The Press and Journal. Click here to read her article.