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More Lemons due to popular demand

Lemons Graphic New

Lemons Lemons Lemons Lemons Lemons (Walrus Theatre)

When life sells out Lemons Lemons Lemons Lemons Lemons… you programme more!

We’re very pleased to announce that due to popular demand we’ve managed to squeeze one more performance of Lemons Lemons Lemons Lemons Lemons by Sam Steiner into our EdFringe schedule.

Lemons x5 will be performed as part of our EARLIER / LATER programme which it first graced late one night in Edinburgh 2015.

When?

Thursday 25 August – 10.30pm

Tickets here.

We hope to see you for some #LateNightLemons

Ealier / Later|Roundabout @ Summerhall

Roundabout audience Rich Lakos

As a bumper August in Edinburgh creeps ever closer we’ve been busy programming even more theatre for you. That’s right, on top of our eight shows a day we’ll also have a bespoke series of performances for early mornings (10am, don’t worry) and late nights (10.30pm, don’t worry). Welcome back Earlier / Later!

We’re very pleased that we can announce our Earlier / Later schedule today. Read on, friends.

06 Aug // Later // Write It:Mic It by Poleroid Theatre

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After four years at Vault, Live Theatre, Hackney Attic, Manchester Castle Hotel, Wilderness Festival & Standon Calling, Poleroid Theatre’s acclaimed open ‘write’ platform returns for it’s second year at the Roundabout!

Triple Off-West End Award nominated Poleroid Theatre bring together the UKs most exciting emerging artists offering audiences a sneak peak into new work at the first stage of it’s development and snippets of the best shows to see at the Edinburgh Fringe Festival 2016.

Artists include KATIE BONNA (Dirty Great Love Story/Soho Theatre), LUKE COURTIER (Musical Comedy Award Finalist 2015), MIXED DOUBLES (Dave Comedy Shorts Winners), TOM GILL (Kate Tempest Award Winner), PHOEBE ECLAIR-POWELL (Soho Theatre/Verity Bargate Award Finalist) and LAUGHING STOCK (Sketchfest Audience Choice Winners).

Tickets here.

07 Aug // Later // Maliza Productions presents SPLIT/MIXED in association with Tamasha

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A gripping and funny coming-of-age story… in a civil war.

Dancing in a nightclub, Eddy finds himself being asked “where are you from?” This eternal question resounds with many others “Were you there then…?” “Which ‘side’ did you belong to?” and, always quietly present, “Are you a victim or a killer?”

Eddy was born in Europe and returned to Rwanda with his family as a young child. Should he answer the country of his heritage? – Or dodge the issue by answering the place of his birth?

Split/Mixed recalls a childhood much like many others – attending school, listening to music, playing football… until Eddy’s world is turned upside down and everything is ripped apart…

Tickets here.

08 Aug // Earlier // Producers Workshop [Free]

Join Paines Plough’s Senior Producer Hanna Streeter and Producer Francesca Moody for a Q&A that will help you look beyond the Fringe and begin your journey into touring. Sharing their invaluable experience and insight on touring theatre, Hanna and Francesca will tell you what it takes, how it works, their top tips and the odd “The van broke down on the motorway” story…

Tickets here.

08 Aug // Later // Split/Mixed by Tamasha

Another chance to catch Split/Mixed by Ery Nzaramba.

Tickets here.

10 Aug // Earlier // General Managers Workshop [Free]

Paines Plough is delighted to be hosting our next series of General Management workshops in Roundabout.

We are always looking for ways to demystify the way we go about creating new plays in order to provide support for theatre makers at any stage of their careers.

This workshop is a chance for anyone interested in working in theatre as a General Manager, or in Finance or Administration, to find out more about the profession.

The session will be a discussion and Q&A with members of the theatre community that work in General Management. Full panel list to be confirmed.

Tickets here.

10 Aug // Later // Get Yourself Together by Josh Coates

GetYourselfTogether532pxUTO

One Christmas, Josh was diagnosed with depression and then hit by a car. The following year he was on Job Seekers whilst attempting to balance his sanity and gift buying. A show about being ill and being fit for work. A show about the DWP and being from Bolton. This is a show that explores the thin line between mental health as a clinical and a political issue.

Part stand up, part spoken word and part teenager in his room pretending he’s in a punk band, Get Yourself Together is new show from Royal Exchange supported artist, Josh Coates.

Tickets here.

11 Aug // Earlier // Acting & Directing Workshop [Free]

Join Paines Plough Joint Artistic Director James Grieve in a workshop on working in-the-round. Looking at classic texts and new plays, this is a snapshot look at playing the most exposing, exhilarating and energising of all configurations – the round. Come on down to Paines Plough’s pop-up amphitheatre Roundabout for a quick and dirty guide to 360° theatre. Open to actors, directors and other interested parties.

Tickets here.

12 Aug // Earlier // Casting Workshop [Free]

Soho-Theatre-Pink

Casting Director Nadine Rennie, of Soho Theatre, joins us in Roundabout for a morning Q&A . Having worked with Writers from Dennis Kelly to Shelagh Stevenson, and Directors from Max Stafford Clark to Roxanna Silbert, Nadine has a wealth of knowledge and experience to share.

Whether you’re a budding young Casting Director, or an actor looking to find out more about the process and get advice, come along and join us for a morning of insight into casting.

Tickets here.

13 Aug // Later // PLAY: Edinburgh by Play Theatre Co.

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Hold on to your hats, it’s PLAYtime! Award-winning theatre company PLAY champion a new approach to new writing, with an emphasis firmly on collaboration. We’ve brought together some of the industries’ brightest and best actors, writers and directors to share a PLAYroom. Starting with a completely blank slate, they have just two weeks to collaborate, devise and create four brand new PLAYs.

Tickets here.

14 Aug // Later // Declaration by Art With Heart

Declaration-main

Instinctive, curious, bold and bouncy; Sarah is a mighty proud square peg, which wouldn’t be such a problem if the hole wasn’t so damn round.

Sarah grew up feeling different. Her childhood Dr thought it was sugar. Her current Dr thinks its ADHD (Attention Deficit Hyperactive Disorder). Sarah still feels different, so what will a label do?

Declaration examines when we want, need or are forced to declare our differences and the faces we wear to fit in. With autobiographical comedy, storytelling and conversations with audiences, Art with Heart take you on vibrant and daring adventure.

Tickets here.

15 Aug // Earlier // General Managers Workshop [Free]

Paines Plough is delighted to be hosting our next series of General Management workshops in Roundabout.

We are always looking for ways to demystify the way we go about creating new plays in order to provide support for theatre makers at any stage of their careers.

This workshop is a chance for anyone interested in working in theatre as a General Manager, or in Finance or Administration, to find out more about the profession.

The session will be a discussion and Q&A with members of the theatre community that work in General Management. Full panel list to be confirmed.

Tickets here.

15 Aug // Later // Obviously We Only Want The Best For Our Daughter by Joe Harbot

Obviously
Here we are, look, sitting here
We made it in against all the odds
We’ve dragged ourselves up out of the gutter to be here

You’re sitting down to eat when there’s a knock at the door. A couple introduce themselves. They make their way inside. They seem at home here. You seem to have a lot in common. In fact, there’s something vaguely familiar about them.

The first showing of a new play by Joe Harbot (The Boy On The Swing, Arcola). Directed by Kay Michael (Pelican’s Daughters, Shakespeare in Shoreditch, RIFT).

Tickets here.

17 Aug // Later // Nothing by Barrel Organ

Barrel Organ

“Nothing ever happens to me. In fact I’d go further than that – I’d say Nothing has ever happened to me. I can’t think of a single significant thing that has ever happened to me”

Barrel Organ’s award winning debut production returns to Edinburgh after selling out in 2014. Nothing is much more than a series of monologues. It is about – among other things – cupcakes, action films, crap television, shitting, sex, buses and stalking. It is about alienation and being young.

“This young company are the future” – Lyn Gardner.

Tickets here.

18 Aug // Earlier // Producers Workshop [Free]

Join Paines Plough’s Senior Producer Hanna Streeter and Producer Francesca Moody for a Q&A that will help you look beyond the Fringe and begin your journey into touring. Sharing their invaluable experience and insight on touring theatre, Hanna and Francesca will tell you what it takes, how it works, their top tips and the odd “The van broke down on the motorway” story…

Tickets here.

19 Aug // Later // We Need To Talk (Work in Progress) by Josie Long and Jonny Donahoe

Jonny and Josie

Josie and Jonny are two lefty comedians who often get told they are preaching to the choir, living in a bubble and listening only to a social media echo chamber. They see themselves as optimists who want to make things better. That’s what they think their politics is.

If you think lefties are naïve and immature, or you don’t agree with how they see the world, come along, let’s talk.

Let’s try and be kinder to each other.
Let’s argue, but without being dicks about it.

This is a show about politics and identity and by the end of it; maybe, we will have sorted everything out and can just have a singalong.

Tickets here.

21 Aug // Earlier // Hansel and Gretel by Tap Tap

HanselandGretelProg1

Rucksack? Check.
Binoculars? Check.
Blind faith and unfathomable courage? Check.
Check.
Sense of direction? Well…
Rose and her brother Ollie are going on an adventure. A big adventure. As big as the ones in storybooks. Bigger. With a rucksack stuffed with Hula Hoops and no sense of direction, follow brother and sister as they journey deeper and deeper into the forest. Climb into the walking boots of adventurers past. Watch the forest come alive in front of your eyes. As they get loster and loster, what will they find?

A boisterous and bold big adventure with an even bigger heart. From the people that brought you Captain Morgan and Handmade Tales, Tap Tap Theatre return to the Fringe with their spin on Hansel & Gretel, a fast and funny treat for the whole family. Featuring live music, suitable for ages 4+.

Tickets here.

21 Aug // Later // Tongue Fu

Tongue Fu

The UK’s sharpest poets, storytellers, rappers and comedians perform with jaw-dropping improvised soundtracks from the Tongue Fu Band (Nostalgia 77, Jamie Cullum, Beardyman).

Created and hosted by poet Chris Redmond (Scroobius Pip’s Beatdown – XFM; Pick Of The Week – BBC R4), it is one of the UK’s liveliest and largest spoken word shows: a riotous experiment in live literature, music and improvisation. With special guests from across the fringe.

“Poetry, but not as you know it…amazing” Guardian
“the most remarkable spoken word event going” ★★★★★ Informed Edinburgh
“A strange kind of alchemy” ★★★★ Scotsman

Tickets here.

22 Aug // Earlier // Theatre Uncut: Refugee

Theatre Uncut scissors

Fringe First winners Theatre Uncut return with 6 brand new international short plays, responding to the refugee crisis, by British, Turkish & Danish writers including award winning Sabrina Mahfouz & Atiha Sen Gupta. These plays were created in collaboration with Danish Teater GROB for the Copenhagen STAGE Festival.

Tickets here.

22 Aug // Later // Tuck Shop by Not Too Tame

NTT

Tuck Shop is a pick of new work from some of NTT’s favourite writers and a mix of our trademark electrifying energy, blended to create a new writing night with a twist. A night that’s not too well behaved, a little bit naughty and a little bit nice. So satisfy your sweet tooth, come get your fill and tuck into a night of fun, excitement and guaranteed good company!

“The company’s stated intention is to engage audiences who don’t feel they belong in “tame, polite theatre”, and they do this with great charm and energy” The Telegraph

Tickets here.

24 Aug // Earlier // Acting & Directing Workshop [Free]

Join Paines Plough Joint Artistic Director James Grieve in a workshop on working in-the-round. Looking at classic texts and new plays, this is a snapshot look at playing the most exposing, exhilarating and energising of all configurations – the round. Come on down to Paines Plough’s pop-up amphitheatre Roundabout for a quick and dirty guide to 360° theatre. Open to actors, directors and other interested parties.

Tickets here.

24 Aug // Later // Bang Said the Gun

Bang Said The Gun 1

Bang Said The Gun is poetry for people who don’t like poetry. Voted the best poetry night in the UK by the Times, Bang Said The Gun has made poetry cool again. A rollercoaster of emotions, it’s loud, raucous, political, trivial, serious and very funny. Normal rules do not apply here. Featuring a rich mix of the best and freshest talent, they will grab you by the collar and drag you into another world.

As recommended by Kate Tempest, ‘It’s like mud wrestling with words’, or as ex poet laureate, Andrew Motion puts it ‘BSTG is a vortex of energy and enthusiasm’.

‘Like all the best things in life, Bang Said The Gun is done with commitment, belief and passion.’ Phil Jupitus

“Bang Said The Gun is the best poetry night in the country. The combination of excitement, enthusiasm and deep, deep concentration on the poems is a wonder to behold.” Ian McMillan, BBC Radio

Tickets here.

26 Aug // Later // The Sleep Show by Rob Auton

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This show is about sleep. It is suitable for those who have slept. Following on from 2012’s The Yellow Show, 2013’s The Sky Show, 2014’s The Face Show, 2015’s The Water Show, award-winning writer and performer Rob Auton returns with 2016’s The Sleep Show.

‘Entirely compelling to watch’ Daniel Kitson
‘Just sad’ Vanessa Feltz
‘We need him’ Scotsman
‘A genuine original. Poetical, philosophical, humane, completely charming and funny to boot.’ Guardian
‘Like watching a kid caught in the stage lights of his first Nativity’ Venue.co.uk

Tickets here.

 

More announcements coming soon via @painesplough on Twitter.

#EarlierLater

Full Roundabout EdFringe Programme

Roundabout audience Rich Lakos

This summer Roundabout returns to Summerhall for Edinburgh Festival Fringe August 5-28. Roundabout will host up to 10 shows a day for 24 days. 225 productions in total. That’s nearly 300 hours of top notch entertainment with 37,800 tickets available.

And that’s just the beginning. After Edinburgh, Roundabout tours the nation stopping off at Margate, Eccles, Kendal, Barnsley, Stoke-on-Trent, Lincoln and Luton.

We’re excited to announce our full Edinburgh Festival Fringe programme including three world premières. Joint Artistic Directors James and George told us what to expect:

“We’re thrilled this cracking programme of new plays from some of the most exciting writers around will tour across the UK this summer and autumn. Roundabout will bring a festival feel to every place it visits with a host of locally curated and created shows and events alongside our own work. An offbeat love story from Alan Harris and an unflinching, side-splitting comedy from Luke Norris, join Katie Douglas’ superhero quest for children in an eclectic, fun-filled collection of new plays in our portable, pop-up theatre. In Edinburgh we’re honoured to present a programme of outstanding visiting work ranging from Stacey Gregg’s Irish Times Award Winning new play SCORCH to the hit Off-Broadway song cycle GHOST QUARTET.”

Our three world premières are LOVE, LIES AND TAXIDERMY by Alan Harris, GROWTH by Luke Norris and I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas.


 

Paines Plough, Sherman Cymru & Theatr Clywd present
LOVE, LIES AND TAXIDERMY by Alan Harris
Time 13:35 Dates Aug 5, 7, 10, 17, 24, 12, 14, 19, 21, 26, 28.

This is a boy meets girl story. Son of a Polish taxidermist meets daughter of a failing ice cream salesman. In Tesco. An offbeat love story about trying to fit in from acclaimed writer Alan Harris.

Tickets here.

LLT v9 990x990 2


 

Paines Plough present
GROWTH by Luke Norris
Time
13:35 Dates Aug 6, 8, 11, 13, 15, 18, 20, 22, 25, 27.

Tobes is young, free and having a ball. Off. It’s seriously cramping his style so there are pants to be dropped and decisions to be made. A comedy about growing up and manning up from rising star Luke Norris.

Tickets here.

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Paines Plough & Half Moon present
I GOT SUPERPOWERS FOR MY BIRTHDAY by Katie Douglas
Time
11:00 Dates Aug 6, 7, 8, 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 21.

Ethan, William and Fiona discover they have superpowers on their 13th birthday, just in time to save the world. Join our heroes on a magical quest for ages 7+ from acclaimed writer Katie Douglas.

Tickets here.

Superpowers v9 990x990 4

 


 

Paines Plough and Pentabus present
EVERY BRILLIANT THING by Duncan Macmillan with Jonny Donahoe
Time
15.35 Dates Aug 6, 7, 8, 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 21, 22, 24, 25, 26, 27, 28.

The worldwide smash hit is back. A play about depression and the lengths we go to for loved ones. ★★★★ “Heart-wrenching, hilarious… possibly one of the funniest plays you will ever see” (The Guardian). “Captivating” (New York Times).

Tickets here.

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EARLIER / LATER
Time
10:00 & 22:30 Dates Aug 5-8, 10-15, 17-22, 24-28.

A series of early morning and late night one-off shows and events. Coffee and croissants with readings, talks, workshops, debates, insights and special guests. Get your fix of fresh ideas, brave new work and rip-roaring performances. These will be announced on our Twitter @painesplough and tickets will be available via Summerhall.

Now fully announced, see the full programme here.

Earlier Later 310 cropped


 

Prime Cut productions presents
SCORCH by Stacey Gregg
Time
18:05 Dates Aug 6-8, 10-15, 17-22, 24-29.

A story of first love through the eyes of a gender-curious teen inspired by recent court cases, lost amidst the headlines. Winner of the prestigious Best New Play at the 2015 Irish Times Irish Theatre Awards. ★★★★ ‘High quality’ (The Irish Times).

Tickets here.

scorch


 

Walrus presents
LEMONS LEMONS LEMONS LEMONS LEMONS by Sam Steiner
Time
12:10 Dates Aug 6-8, 10-15, 17-22, 24-29.

Walrus’ award-winning sell out show returns to Edinburgh. The average person says 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out. A play about what we say and how we say it. ‘About as promising as debuts get’ (Time Out). ★★★★ ‘It’s bright, light and sharp – a rom-com with smarts’ (WhatsOnStage).

Tickets here.

Lemons Beth 1 (cred. Giulia Delprato)


Jonny & the Baptists
EAT THE POOR
Time
19.35 Dates Aug 6-8, 10-15, 17-22, 24-29.

In 2009, David Cameron forgot how many houses he owned. Within five years, homelessness doubled. A riotous musical epic about inequality, friendship and betrayal. ★★★★ ‘Rallying… gigglesome wordplay’ (Guardian). ★★★★ ‘Wickedly amusing’ (Times).

Tickets here.

Jonny & the Baptists - Eat the Poor - PR image 1 (image by Anna Soderblom).jpg


Katie Bonna and Paul Jellis in association with SOHO Theatre present
ALL THE THINGS I LIED ABOUT by Katie Bonna
Time
16:40 Dates Aug 6-8, 10-15, 17-22, 24-29.

Fringe First winner Katie Bonna (Dirty Great Love Story) confronts humanity’s obsession with lying. ‘Simultaneously restores your faith in human nature and the Fringe.’ ★★★★ (Telegraph). ‘Laughs are frequent, unsignalled… brilliant.’ ★★★★ (Times).

Tickets here.

ALL THE THINGS brochure image


Ghost Quartet presents
GHOST QUARTET
Time
21:00 Dates Aug 6-8, 10-15, 17-22, 24-29.

Ghost Quartet is a haunted song cycle about love, death, and whisky. A raucous chamber musical from Dave Malloy, composer of the Broadway-bound Natasha, Pierre & The Great Comet of 1812.

Tickets here.

GhostQuartet3(Ryan Jensen)


 

Fly By Night Productions presents
DES CLARKE’S ALL STAR COMEDY IN AID OF STV CHILDREN’S APPEAL
Time
14:00, 17:00 & 20:00 Dates Aug 16.

Des Clarke hosts the recording of an exciting new stand-up TV series featuring the comedy stars of today and tomorrow. Proceeds to the STV Children’s Appeal.

Tickets here.

Des Clarke

The story behind EVERY BRILLIANT THING – Part 1

The way Duncan tells it, EVERY BRILLIANT THING began as a favour.

Rosie, an actress in his first play, came up to him on their final night. She was in two scenes but had no lines and was required to keep her back to the audience. After the performance, she took his face in her hands and said:

‘You owe me.’

A few months later he was invited to write a short play for The Miniaturists and it seemed like a good opportunity to repay the favour. He wrote her a monologue. Having been in a play where she said nothing, she was now able to stand on stage and talk constantly for fifteen minutes which, knowing Rosie, suited her much better.

The monologue he wrote, entitled SLEEVE NOTES, is a short story about a young girl who makes a list of everything that’s brilliant about the world as an attempt to combat her mother’s depression.

1.       Ice cream

2.       Rollercoasters

3.       Staying up past your bedtime and being allowed to watch TV

4.       People falling over

5.       Banana slides

6.       Water fights

As the girl grows up, so does the list. It takes on a life of its own, other people start adding to it, writing in the margins, making amendments, providing footnotes. The purpose of the list is forgotten and her mother’s depression doesn’t go away. Eventually, as a grown woman, she reaches her self-imposed target of one million entries.

She calls the list ‘Every Brilliant Thing’.

People who heard Rosie read the monologue enjoyed it greatly and so over the next few months, she was asked to perform it again and again at different theatres.

A little while after that, Duncan was invited by Paines Plough to perform something he’d written as part of LATER, which was a monthly event conceived by Mark Ravenhill, where playwrights would read or perform their own work. Duncan decided to read SLEEVE NOTES, and set about changing anything gender specific and making the list in the story feel a bit more macho.

3675. Shoes

became

3675. Marlon Brando

I heard Duncan perform SLEEVE NOTES and asked him to do it again at SHORTS – an event James and I used to run for nabokov at the Old Red Lion. I really liked how he performed it. It felt honest. Autobiographical maybe. Despite not particularly having enjoyed the experience of performing it the first time round, he reluctantly relented and agreed.

I noticed once more how the simplicity, warmth and hope of the story moved people.

A year or so later people still mentioned the story to me. How it had stayed with them. How it had gently changed the way they viewed things. Duncan and I met for coffee and between us we dreamt up the idea of actually making the list in the story. From scratch. Something that, like in the story, anyone could add to and share.

Unsure of exactly where to begin, we stared a Facebook group in the hope of reaching out to those who already knew the story to help us populate the real life list. Within hours contributions started flying in.

101. Massages

102. Late night text conversations

103. Inappropriate songs played at emotional moments

The group continued to grow and within a few months we had several hundred members and nearly a thousand entries.

We took SLEEVE NOTES to a festival in Brick Lane and to the Innocent Village Fete in Regents Park where it was read by Gugu Mbatha Raw while children hung their contributions on the branches of ‘The Tree of Every Brilliant Thing’.

2571. Hugs and laughing til your tummy hurts

2572. Seashells

We saved all the contributions in a huge card board box and added them to the Facebook Group. We loved the idea of the list existing physically as well as digitally – something you could look at, hold in your hands, walk around.

So we enlisted designers Paul Burgess and Simon Daw and set up what Paul called a ‘voluntary sweatshop’. We began to transpose the digital entries from Facebook on to paper, using backs of envelopes, post-it notes, newspaper cuttings, receipts, cardboard, beer-mats, whatever we could get our hands on. We installed our list like an exhibition in one of the huge arches in Village Underground in Shoreditch for the nabokov Arts Club – thousands and thousands of entries;

3263. Telephones with a rotary dial rather than push buttons

3346. Getting a mix tape

3376. Columbo

nabokov’s Producer at the time Davina Shah had managed to source a load of old cassette Walkmans and we had recorded hundreds of people reading SLEEVE NOTES as well as a companion piece we commissioned Gary Owen to write called KILL JOY. Whereas SLEEVE NOTES was a child’s perspective on a parent struggling with depression, KILL JOY was  a story about a young child written through the eyes of a depressed parent. As you walked around the installation you would listen to one story on side A then turn the tape over and listen to the other on side B. At the end you could add your own entries to the list which began to grow out of the arch as the evening went on. At some point in the evening the music from the next arch got so loud that it drowned out the headphones. So I managed to persuade Duncan to get up on stage and perform SLEEVE NOTES one last time. 500 people stopped dancing, and almost as one, quietly sat down on the floor to listen.

Duncan reads SLEEVE NOTES at the nabokov Arts Club

The following year, Tania Harrison invited nabokov to take the exhibition to the Latitude Festival. This time we had our own tent in which we set up the installation. Our Stage Manager Kirsten Turner, along with some help from willing volunteers Hannah Scott and Camilla Kinchin, spent the weekend rallying people to come and perform SLEEVE NOTES inside the tent. We had set it up so that someone different would read the story every fifteen minutes or so, for four days straight. As well as actors Sian Clifford, Tom Cullen, Clare Dunne, Phoebe Waller-Bridge, Ferdy Roberts and Craig Gazey amongst others, we also tempted comedians Ed Byrne and Frank Skinner to do a shift. But for a last minute intervention, we would have had Jarvis Cocker up there too.

This was where the life of the exhibition ended, though the Facebook group continued to grow.

3545. Untangling things

But still the project itself hung in the air. I went to stay with a GP friend in Wales who told me how it had changed her perspective and how much good she thought it could do for others. Another friend who at the time was a parliamentary consultant for the Royal College of Psychiatrists spoke passionately to me about how helpful it could be to run it at one of the party conferences to raise awareness for mental health charities. We were approached by the people who run World Mental Health day too. We never intended it to, but it had managed to speak quite eloquently but in a very gentle way about the connections between perception and mental well-being.

But more than any potential political impact was the feeling we had something positively contagious that more people should come in to contact with. The Facebook group continued apace, gathering followers and contributions from around the world.

So last year, during the London run of Duncan’s play LUNGS, we picked up the conversation once again. We wondered what the evolution of the project would be and how Paines Plough, as well as other companies, might facilitate the next step of the journey.