Monthly archives:

Broken Biscuits: Previews


Broken Biscuits (cred. Richard Kenworthy)

As a creative team, we spend countless hours in the lead up to a show attempting to create and hone an audience’s experience of the play. We coordinate and plan how all aspects of the production will come together. Rehearsals are held in preparation for an audience but without them present we can never have a full understanding of the production’s workings.

If you think of it as preparing for a dinner party: you can plan meticulously what you will cook; what you will wear; what music you will play, but the evening is an unknowable thing until your guests have arrived.


Broken Biscuits (cred. Richard Kenworthy)

This is where previews play a part.

Previews allow the team to see the production with all elements in place, the final element being, you, an audience. While the changes between first preview and opening may be barely perceptible to a first time viewer, there are also occasions where much bigger changes are made in this period. It is in these intial runs that the final pieces click into place.


Broken Biscuits (cred. Richard Kenworthy)

Every audience brings something slightly different to the show. They’ll discover a moment of absolute belly laughter at a point the previous night’s audience gave out a small titter. Every audience will relate to the play slightly differently and previews help actors to become acclimatised to this changing reception.


Broken Biscuits (cred. Richard Kenworthy)

We were incredibly happy in the Broken Biscuits previews to play to some really varying audiences. The actors got the chance in previews to feel how an audience response to the play can vary. The creative team had chance to tweak and perfect the lighting and sound. Previews are a perfect reminder to us all of how important an audience is in shaping a production. Now they are finished, the show is up and running and we can’t wait for you to see it!


Broken Biscuits (cred. Richard Kenworthy)

Anna Ryder, Assistant Director.

Broken Biscuits Tech Week


Broken Biscuits at Live Theatre Newcastle (cred. Richard Kenworthy)

Hello! Team Biscuits here, all the way from sunny Newcastle (you may think I jest, but the sun has done nothing but beam up here).

For weeks now an eavesdropper of rehearsals would have become familiar with patient phrases such as:

‘In this bit of the show there will be an effect where…’

‘This is when, during the show, you’ll hear…’

‘Once we have the lights…’

No more!


Broken Biscuits at Live Theatre Newcastle (cred. Richard Kenworthy)

Tech week is here and the imaginings of the creative team are leaping into reality. It truly is glorious.

For all very practical and sensible reasons, rehearsal rooms never begin with all the elements in place. We have to wait for the wonders of tech week before we can stop talking in possibilities and start working with all the practical components of the show. Lights, sound, props, this is your time.


Broken Biscuits at Live Theatre Newcastle (cred.Richard Kenworthy)

Tech week is a hectic, fast paced and brilliant period in the world of a production. It’s the sort of week that if someone reminds you of a conversation that you had that very morning, your brain spends a good five minutes computing how it can possibly have taken place on the same day as now. You’ve been to the world of fairy-lights and back since then.


A world of fairy lights (cred. Richard Kenworthy)

It’s a week of high-speed naps, delirious green room conversation and a huge amount of hard work. It’s safe to say caffeine consumption is at an all time high, but the results are well worth it!

We are so excited to share Broken Biscuits with you all, in the immortal words of Megan ‘You will be wanting to spend the next two months in this shed, I promise.’

Anna Ryder, Assistant Director.

Broken Biscuits: Tour & Casting announcement


© Matt Humphrey 2016

We’ve got a double whammy of news for you today. We’re co-producing Tom Wells‘ new play BROKEN BISCUITS with Live Theatre in Newcastle and we’re very pleased to announce both the cast and the national tour dates.

We scoured the country for the talent to play Megan, Holly and Ben – the ‘Mis-Shapes‘ at the centre of BROKEN BISCUITS. We did Open Auditions in London, Hull and Newcastle. We met hundreds of talented actors. We did first calls and recalls. And then there were three. Here they are:

Faye Christall


© Matt Humphrey 2016

Faye is making her debut with Paines Plough and trained at the American Academy of Dramatic Arts in New York. Theatre credits include: GONE VIRAL (St James Theatre), ONE FLEW OVER THE CUCKOO’S NEST (Edinburgh Festival Fringe). Film credits include: CUTE LITTLE BUGGERS 3D and AWAKE. Workshops include: THE UNTITLED MUSICAL (Tricycle Theatre). Faye is also part of the Cirque du Soleil Company.

Faye will play Megan in BROKEN BISCUITS.

Grace Hogg-Robinson


© Matt Humphrey 2016

TV includes: The regular role of Beth Kennedy in THE CORONER: Series 1 & 2 (BBC1 and BBC Worldwide) as well as appearances in CASUALTY (BBC1), CAMPING (Sky Atlantic), DIARY OF A SNOB (Nickelodeon), DOCTORS (BBC1) and SUSPECTS (Channel 5). Film includes: EDGE OF TOMORROW (Warner Bros.), BIRDHOUSE (NFTS), CANDY FLOSS (HAUS Pictures) and THE NEST (Beyond Fiction). BROKEN BISCUITS will be Grace’s stage debut.

Grade will play Holly in BROKEN BISCUITS.

Andrew Reed


© Matt Humphrey 2016

Andrew was born in South Tyneside. He trained with The Customs House, South Shields and the Theatre Royal Newcastle. Credits include: THE FIFTEEN STREETS, DRAMA, BABY, TAKEAWAY (The Customs House, South Shields), SCRAPBOOK (Live Theatre, Newcastle), THE MACHINES, 13 (Theatre Royal Newcastle and on tour).

Andrew will play Ben in BROKEN BISCUITS.

We’re also pleased to announce the creative team that will be taking BROKEN BISCUITS from page to stage:

Songs Matthew Robins
James Grieve
Design Lily Arnold
Lighting Joshua Pharo
Sound Dominic Kennedy

Our brilliant cast will be touring, with shed and musical instruments in tow, to the following venues in Autumn 2016:

Wednesday 5 to Saturday 22 October
Live Theatre, Newcastle
Tickets here.

Tuesday 25 to Saturday 29 October
The Drum, Theatre Royal Plymouth

Tickets here.

Tuesday 1 to Saturday 5 November
Hull Truck Theatre
Tickets here.

Tuesday 8 to Saturday 12 November
Stephen Joseph Theatre, Scarborough
Tickets here.

Tuesday 15 to Saturday 19 November
Crucible Studio, Sheffield
Tickets here.

Friday 25 to Saturday 26 November
Tobacco Factory Theatres, Bristol
Tickets here.

Tuesday 29 November to Saturday 3 December
Birmingham Repertory Theatre
Tickets here.

We hope to see you on tour.

#FunFact Tom’s inspiration for writing BROKEN BISCUITS was listening to Pulp’s hit Mis-Shapes. Listen carefully for the biscuit reference.