A year ago, Georgia Laws was an intern here at PPHQ. Now she’s assistant producer on an acclaimed new play. We asked her for an update…
It’s great to be back up on the PP blog one year on from my internship with Party Plough! What a year and what a lot I owe to the amazing little new writing company. I fully realise now what a brilliant, well-rounded introduction to the professional theatre world I was given at Paines Plough. My role as production assistant had a suitably broad title and thankfully I was able to assist with an edifying range of theatre processes and practices from drawing up contracts to organising press nights; experience which has proven invaluable now that I’m taking my first solo steps into the theatre world.
A month or so ago I went for coffee with the director of Lonesome Schoolboy Productions, Niall Phillips, as he was looking for someone to help him get his new show off the ground- a heartfelt piece of new writing by Steven Lally – a quick read of the script and I was hooked. It was the work I had done with Paines Plough, specifically on Kate Tempest’s WASTED, that had first attracted Niall to my CV and now I find myself in the exciting role of Assistant Producer for this beautiful and thought provoking play at The Drayton Arms. Lally’s play LETTERS FROM EVERYONE was up and running and on its way to perfect in no time whilst my past few weeks have been devoted to giving the play the reach it deserves without a team of new writing experts behind me!
LETTERS FROM EVERYONE’s first week has been a massive success with glowing reviews coming out every day as well as an OFFIE nomination for ‘Most Promising New Playwright’! I am so incredibly proud of the cast and crew who have all worked together to produce theatre that is minimal yet visceral, emotive and witty for a play that captures the everyday disaster and exhilaration in the banality of London life. The perceptive look at London offered in LETTERS FROM EVERYONE is not far from the picture of the city painted in Kate Tempest’s WASTED. The two writers have used very different tools to conceive a similar city. As is noted in A Younger Theatre’s review of LETTERS FROM EVERYONE, ‘the insights offered into these four very different people paint a picture of London as a whole: big, colourful, anonymous and brutal all at the same time.’
LETTERS FROM EVERYONE runs until the 20th December at The Drayton Arms theatre in South Kensington so plenty of time to catch this award nominated new play!